| Peoples War (2012) | |
| Music: | R. Narayana Murthy |
| CAST: | R. Narayana Murthy, Telangana Sakuntala |
Thursday, May 24, 2012
Peoples War
G. V. Prakash Kumar
Career
G. V. Prakash, aged 17, was first signed up to compose the music for Taxi Driver, a film directed by debutant Morgan featuring Prashanth in early 2005. However, the film eventually failed to take off and Prakash returned to his vocalist and technician roles.Prakash's introduction as a film composer was in the critically acclaimed Tamil film Veyil, directed by Vasantha Balan and produced by the director S. Shankar.
He first appeared as a vocalist on the soundtrack of director S. Shankar's Tamil film Gentleman, composed by his maternal uncle, A. R. Rahman. He has also contributed to some of Rahman's other projects. He had also worked with Harris Jayaraj and sang two songs in Anniyan and Unnale Unnale. His music in the film Madrasapattinam directed by A.L.Vijay was appreciated mainly for his song Pookal Pookum Tharunam.Family
Prakash Kumar is the son of Venkatesh and playback singer, A. R. Reihana, who is the elder sister to music director A. R. Rahman. Prakash is engaged to singer, Saindhavi. They studied together in Chettinad Vidyashram.Released soundtracks
| Year | Tamil | Telugu | Other Languages |
|---|---|---|---|
| 1993 | Gentleman - Chikku Bukku Rayile (Child Voice) | ' | |
| 2006 | Veyil | Vesavi | |
| 2007 | Oram Po | Nenu Autovani (2011) | |
| Kireedam | Poornamarket (2011) | ||
| Polladhavan (3 songs) | Punda (2010) (Kannada) | ||
| Evano Oruvan # (Promo song) | Evaro Okaru (2009) | ||
| Velli Thirai | |||
| Kaalai | |||
| 2008 | Ullasamga Utsahamga | Ullasa Utsaha (2009) (Kannada) Ayyo Pavam (2009) (Malayalam) | |
| Kuselan | Kathanayakudu | ||
| Ananda Thandavam | Ananda Thandavam (2009) | ||
| Naan Aval Adhu (2 songs) | Nenu Tanu Aame | ||
| Seval | Ballem (2011) | ||
| 2009 | Angaadi Theru # (4 songs) | Shopping Mall (2010) | |
| Aayirathil Oruvan | Yugaaniki Okkadu (2010) | ||
| Irumbukkottai Murattu Singam # | Super Cowboy (2010) | ||
| 2010 | Madrasapattinam | 1947 A Love Story (2011) | |
| Darling | |||
| Va | |||
| Aadukalam | |||
| 2011 | Narthag | ||
| Deiva Thirumaga | Nanna | ||
| Mayakkam Enna • | |||
| Muppozhudhum Un Karpanaigal • | Nirantharam Nee Oohalo | ||
| 2012 | Yen Endraal Kaadhal Enben | Endhukante... Premanta! |
Nirantharam Nee Oohalo
The film opens with Ram (Atharvaa) fronting a car driven by two guys apparently drunk and rich and with their girl friend(s). He tries to kill them and eventually they escape in the car opening the title. Then it turns to be that Ram enjoys a successful career in information technology. He is hit by Radhi (Yashika) as office romance. He turns down her interest and reveals he is in love with a girl who resides in Bangalore and he is going to visit her. Ram drives to Bangalore and meets Charu (Amala Paul) in her apartment. While sleeping, Ram wakes up goes to the streets, search and kills a person (one of them in the car in first scene). Eventually its revealed that Charu is in some danger and Ram is safeguarding her by not letting her out of that apartment until he cleans up the city for her safety.
Charu goes to the police station to report the two guys who teased her, however, the guys did not take this well and threaten Charu. Ram witnesses this and assumes that there is a problem, however, Charu ensures Ram that he has nothing to worry about and that everything has been sorted.
On the day of the competition, Ram and Charu go through their presentation, to make sure that they have got everything that they need. Ram looks behind him and notices that he has forgotten something. He explains to Charu that he needs to go back, but will be back in time for the competition. Charu being hesitant at first eventually agrees. Ram went back to get the gift that he has bought Charu, so that he can give to her when he proposes his love for her, after the competition.
Ram then manages to go the competition venue on time, however, sees the two guys who teased Charu inside the venue. Ram jumps to the conclusion that the guys have come after Charu and are here to kill her. Ram tries to find them however fails. Ram then reaches the balcony where he witnesses Charu being taken into a car by two guys, which he assumes are the two teasers. Ram then runs after the car but then loses the car and is pushed on the side of the road, where he becomes delusional. He then goes home, and waits for Charu without changing his clothes or having a shower. He sits in one position for two days. Charu then comes home safe and sound, and is revealed to the doctor that him and Charu have been together ever since.
The doctor comes out of the room to see a shocked Latha. Latha then reveals to her uncle (the doctor) that her family know her as Latha, but she introduced herself to Ram as Charu, as her name was indeed Charulatha. Latha then reveals what actually happen; Ram went to get the present, while she was left to handle the presentation herself, and ends up winning the whole competition, Her father was a main judge on the competition and was also revealed that this competition was built to see how Charu can handle a whole business and would take over from her father. It was then revealed that Ram would not get a position in this company at all, and with Charu feeling guilty, she calls after Ram, which Ram hears and sees. She was taken into the car by her father which made it look like she was being kidnapped to Ram.
The doctor then persuades Latha to act like the Charu that she was while living with him. At first she disagrees, however, after Ram gains his consciousness, Ram receives a call from a so called 'Charu'. Latha goes back to Bangalore, where she visits the woman who is acting as Charu to Ram over the phone. It is revealed that a blind woman acts as Charu, only because Ram keeps calling her and asking about her and refuses to believe that this isn't Charu's number. Latha then breaks into her old Bangalore home, and spies on Ram, with her uncle assisting her. Ram comes home and assumingly hugs a so called Charu. We then realise that it isn't actually Charu he is hugging, but he is hugging nothing but an empty space.
Latha then acts as Charu and begins falling in love with Ram. Ram then explains to her that they are going to get married soon. They then reach a temple, where Charu and Ram are meant to be getting married. Latha had planned with her uncle and Chandru a fake killing so that Ram's delusions can leave him, which fails. Latha is then genuinely kidnapped by two guys, who are her so known fiance's friends. It is revealed that her fiance Vicky, is in fact gay and his friends can not accept Vicky getting married to any girl who gets in his way which includes Latha. The two guys attempt on killing Latha but is defeated by Ram. Ram then attempts to save Latha by taking her to the hospital but is then hit on the head. Ram gains his consciousness and goes home and waits for Charu at home, sitting in a position for two days, waiting for Charu. The delusion he sees is Charu coming back to him, in tears and saying that she is alright. Ram bursts into tears and goes to have a shower so that he can relax and start over with Charu. Latha however is still in hospital with her father and uncle by her side. Her uncle reveals that it was him who hit Ram on the head, so that he can take Latha to the hospital to get her checked out, yet he explains to Charu that she better of with Ram as he will keep her happy. Latha's father agrees and Latha insists that she goes to Ram.
Latha then goes home to Ram, who still believes that Charu has come home long before. The film ends with Latha raising her arms asking for a hug from Ram, which Ram smiles and gives her.
Nanna
Nila adjusts herself to school life, and befriends the correspondent Shwetha Rajendran (Amala Paul), who develops a maternal bond with the girl. But when she learns that Nila is Krishna's daughter, she refuses to let her stay with him. Soon a scuffle starts between Krishna and Shwetha's fiancé Karthik (Karthik Kumar). It is broken up by the entry of Shwetha's father Rajendran (Sachin Khedekar) who reveals that his other daughter was Banumathy, who became estranged from him by choosing to marry Krishna. He offers to take Krishna and Nila with him and claims that they are part of his family. Victor agrees and sends them with Rajendran.
She files a case against Rajendran, but loses hope when she learns that Rajendran's lawyer is Bashyam (Nassar), a feared senior lawyer who has never lost a case. The case is then heard in the high court, with both party arguring to the custody of the child.
Finally, Bashyam asks Krishna about how he can raise his daughter then to support her financially. Then after a quick show of father-daughter connection and affection, Bashyam withdraws and loses the case voluntarily. Giving Krishna his custody of his daughter, he then takes her back to Rajendran, so that she will be raised financially stable and that she can become a doctor when she grows up.
Download Nanna Mp3 Songs in 128KBPS and 320KBPS (Single Links)
Super Cowboy
The town of Jayshankarapuram, home of Tamil-speaking cowboys, is ruled by a one-eyed tyrant Kelakku Kattai (Nasser) (literally "Eastwood"), who rules over other villages as well, is always surrounded by his assistants Pakki (Lakshmi Rai) and Ulakkai. In order to free their town from Kattai's rule, four men (played by Mouli, Ilavarasu, Ramesh Khanna and Vaiyapuri) travel to a neighboring town Sholaypuram to seek out a savior.
There, they encounter Singaram (Lawrence), a man with a noble heart, who has been sentenced to death for negligence of duty. The gang saves Singaram from execution and explains their situation. Singaram learns why he was chosen: the previous marshal of Jayashankarapuram, the brave Singam (also Lawrence), the only one who stood up to Kelakku Kattai's tyranny, bore a striking resemblance to Singaram. Singam disappeared under mysterious circumstances years ago and the town was left defenseless.
Thus Singaram is brought to the village and passed off as Singam. Singaram learns to adapt to his new name, learning all of the hero's skills and tricks. He wins the respect of the village seniors (Delhi Ganesh, Manorama and others), and a girl Baali (Padmapriya) falls for him. Soon he surpasses the original hero's prowess, though initially it is due to dumb luck.
In between the hero’s and the villain’s camp is a Red Indian village where the tribals are pure vegetarians. With the introduction of this village, Aathirikesa the leader of the tribal group, his father Rangula, and his beautiful daughter Thumbi are also introduced.
The gist of the story: The villagers at Jayashankarapuram find a map that is hidden in their ‘MGR Timesquare’. But it is only one half they have. They have to find the other half to hunt for treasure that is preserved and hidden somewhere far away. But the villain, Nasser has other plans. He negotiates a deal of freeing prisoners in exchange of the treasure. Does the Marshall Singam along with Sai Kumar, Lakshmi Rai, Vaiyapurai, Ilavarasu, MS Bhasker and Sams find the treasure?
1947: A Love Story
An elderly English woman Amy Wilkinson (Carole Trangmar-Palmer), almost at her deathbed in London, wants to come down to Chennai in search of a young man Ilam Parithi (Arya) whom she last saw on 15 August 1947 to return a Thali necklace of his mother, which he gave her as a sign of stating that she belongs to India and nobody can separate them. However, after a turn of events, she had married another man from her hometown and thus felt that the thali was no longer her property.
Amy Wilkinson arrives in Chennai with her granddaughter Catherine (Lisa Lazarus), equipped only with a picture of Parithi that was taken sixty years ago. Wilkinson interrogates various people about Parithi's whereabouts. In the process, she recalls the events when she had first visited Chennai, and the chain of events that took place:
A young Amy (Amy Jackson), the daughter of the Madras Presidency Governor, visits Chennai (then called Madrasapattinam) along with her translator Nambi (Cochin Hanifa) and encounters Parithi, whom she calls "brave man". Parithi, a member of the dhobi (launderer) clan is also an experienced wrestler who trains under Ayyakanu (Nassar). He openly opposes the British officials who attempt to build a golf course in the dhobi clan's dwelling place. He challenges a cruel racist officer named Robert Ellis (Alexx O'Nell), who is also Amy's suitor, to a wrestling match to decide the fate of his clan's home. Parithi is successful, and Ellis vows revenge.
Back in the present, Wilkinson is urgently called back to London to have a life-saving operation. But she is determined to find Parithi and, by chance, encounters a taxi driver who assumes that she would want to visit a charitable trust named Duraiyamma Foundation. The driver shows her around the foundation, which has organisations providing free housing, education and medical care (which were all promised to the dhobi children by the young Amy several years ago). She realizes that the Duraiyamma Foundation was established by Ilam Parithi, and named after her.
Then When she asks the driver what became of Parithi, he leads her to his tomb, and reveals that he died twelve years ago. She kneels before the tomb and claims the thali necklace as her own. She declares "It's mine!" before quietly passing away on Parithi's tomb. Her granddaughter mourns for her, and the taxi driver is dumbfounded to learn that the old woman was "Duraiyamma" herself. The epilogue shows Parithi and Amy (as they were in their younger days) in the afterlife, depicted as a 1940's-style Madrasapattinam. As the credits roll, a series of montage images are shown, illustrating the transformation of Madrasapattinam of the 1940s to modern-day Chennai.
Shopping Mall
Angaadi Theru (English: Market Street) is a 2010 Indian Tamil-language drama film written and directed by Vasanthabalan, starring debutant Mahesh and Anjali in the lead roles. The title refers to the Ranganathan Street in Chennai where the story plays. The film features music jointly composed by Vijay Antony and G. V. Prakash Kumar. An Ayngaran International production, the film was launched on 11 February 2008 and released on 26 March 2010 to critical acclaim. The film was shortlisted for the Indian submissions for the Academy Award for Best Foreign Language Film but lost to Peepli Live. It released in Telugu as Shopping Mall.
Jyothi Lingam (Mahesh) is a bright student and son of a mason who leads a happy life in his village near Tirunelveli. One day tragedy strikes as his father the only earning member dies in an accident while crossing an unmanned railway gate, and young boy now has to look after his mother and two sisters.
Due to circumstances, he is forced to abandon his studies, though he comes first in his school in the board exam. Through a canvassing agent, he and his friend Marimuthu, get jobs as sales boys in a textile showroom in Ranganathan Street in Chennai.
Jyothi, along with hundreds of others, are employed at the Senthil Murugan Stores run by the big Annachi. In each floor at the textile showroom, there are around 50 to 60 sales boys and girls who work in pitiable conditions from early in the morning to late night, without any rest.
He meets Kani (Anjali), a fiery independent girl. The difficult and harrowing times in the store bring them together as they face up to a cruel and lewd store supervisor Karungali (director A Venkatesh), who beats up the boys and molests the girls when they play around during duty hours. As Jyothi says there is no escape from the “Jail like” atmosphere in the shop where employees are treated more like slave labour in a concentration camp than without any human dignity. Angadi Theru is about how these two survive in a concentration camp like condition and what happens when fate perpetually smiles very cruelly at them.
Sneha lights up the happenings in a small cameo as herself by doing a commercial advertisement for that Stores. This film is considered to be a milestone in Tamil cinema due its raw content. This movie is loosely based on the real happenings at the two Popular Stores in Ranganathan Street in Chennai
Jyothi Lingam (Mahesh) is a bright student and son of a mason who leads a happy life in his village near Tirunelveli. One day tragedy strikes as his father the only earning member dies in an accident while crossing an unmanned railway gate, and young boy now has to look after his mother and two sisters.
Due to circumstances, he is forced to abandon his studies, though he comes first in his school in the board exam. Through a canvassing agent, he and his friend Marimuthu, get jobs as sales boys in a textile showroom in Ranganathan Street in Chennai.
Jyothi, along with hundreds of others, are employed at the Senthil Murugan Stores run by the big Annachi. In each floor at the textile showroom, there are around 50 to 60 sales boys and girls who work in pitiable conditions from early in the morning to late night, without any rest.
He meets Kani (Anjali), a fiery independent girl. The difficult and harrowing times in the store bring them together as they face up to a cruel and lewd store supervisor Karungali (director A Venkatesh), who beats up the boys and molests the girls when they play around during duty hours. As Jyothi says there is no escape from the “Jail like” atmosphere in the shop where employees are treated more like slave labour in a concentration camp than without any human dignity. Angadi Theru is about how these two survive in a concentration camp like condition and what happens when fate perpetually smiles very cruelly at them.
Sneha lights up the happenings in a small cameo as herself by doing a commercial advertisement for that Stores. This film is considered to be a milestone in Tamil cinema due its raw content. This movie is loosely based on the real happenings at the two Popular Stores in Ranganathan Street in Chennai
Ananda Tandavam
Ananda Tandavam (English: Happy Dance) is a 2009 Tamil-language film adaptation of the Sujatha Rangarajan serialized novel Pirivom Santhippom, directed by A.R. Gandhi Krishna and produced by Oscar V. Ravichandran of Aascar Films. This is one of the love stories by the late author Sujatha.The characters Raghu (Siddharth Venugopal) & Madhumitha (Tamanna Bhatia):
their love story captured so many hearts that writer Sujatha, who had
initially finished the first novel, started the second part due to high
demand from readers.
Ananda Tandavam Telugu Movie Songs
Ananda Tandavam Tamil Movie Songs
Story
Raghupathi (Siddarth) is a fresh pass out engineer
who comes to be with his father Govindaraju (Kitti) and there he chances
upon Madhumita (Tamannah) the bubbly and innocent girl who is the
daughter of the Chief engineer. Soon, he falls for her and in no time,
his alliance is fixed with Madhu by her parents. However, when Raghu
goes for a job and comes back on holiday, he discovers that Madhu's
parents have fixed her marriage with Radhakrishna (Rishi) who comes from
the US. Feeling betrayed, Raghu tries to commit suicide but is saved.
He decides to put his past behind and go to the US to pursue his
education. He goes to New York and there he meets the beautiful Rathna
(Rukmini). There, Raghu bumps across Madhu again and meanwhile, Rathna
begins to fall in love with Siddharth. Time passes by and finally the
day comes when Rathna and Siddarth are planning to get engaged but then
Madhu discovers a truth about Radhakrishna and she makes a decision.
What happens from there forms the rest of the story.
Performances
Tamannah came across as a confused character and her
transition from a innocent and confused girl to a bubbly girl was
alright. Siddarth lacked energy and looked frozen at many places,
Rukmini was beautiful but she needs to add more flesh, Kitty was elegant
and graceful, Charlie was regular. The others did their bit to
contribute, Rishi was okay.
Technical aspects
The dialogues were quite sleazy, the script was
shallow and the screenplay was random. The major flaw in the movie was
the editing which has been done very brutally and amateurishly. There is
no proper connectivity between the scenes and the audience fails to
relish any emotion. Music was alright and two songs can be hummed,
locations were excellent and the cinematography did a fabulous job.
Costumes were good for everyone except the hero who looked duller due to
the pale shades. The art department was quite colorful and exemplary.
Director's portrayal
The director seems to have been confused as to what
he has to convey, though his presentation was alright, the narrative was
pathetic. There were many times when one would feel a strong flavour of
perversion in his narrative. He brought about a very touching storyline
but he was in no position to actually conceive it into a proper movie.
The emotional scenes could have been a lot better but he was not able to
handle the situations very well. A lot of focus was put by him on
covering aspects of relationships after marriage but then it turned out
to be a sham.
Critic's view
The
film is no way connected to the title since it has got more of sadness
and perversion than anything else. The pace of the movie is quite mild
and it goes on at a speed which tests the patience of the audience.
Moreover, the issues and conversations tend to get so dirty at times
that the audience has no choice but to lower their heads in
embarrassment. One did not expect Tamannah to be a part of such debacle
and it must be said that the editing and obscene dialogues have spoiled
the mood of the film.
Verdict
Attempt it if you love tragedies with slow narration.
Cast: Tamannah, Siddarth (Rishabh), Rukmini, Karuna, Venki, Rishi, Madan Babu, Charlie etc
CREDITS:
Banner: Aascar Films
Music: G V Prakash Kumar
Cinematography: Jeevan Shankar
Director: Gandhi Krishna
Producer: Ravichandran
Music: G V Prakash Kumar
Cinematography: Jeevan Shankar
Director: Gandhi Krishna
Producer: Ravichandran
Kathanayakudu
Jagapatibabu, though popular as family
subjects' hero, had several hit films in other subjects too. He had a
different image. He is a very good performer too and this was proved
with films like 'Hanuman Junction, Gayam, Antahpuram and Samanyudu'.
Once again, director P Vasu chose this hero for a deglamourous role
which maintains a low profile all through the film, but has a lot of
scope for performance. The film explains the value of friendship. The
story runs between a rich man and a poor man and their childhood
friendship. In order to show the richness, the director chose films
which is the most common commodity among the people. People always think
that the heroes would earn lakhs of rupees besides a huge image and
going near them is a difficult task.
Balu (Jagapatibabu) has a small saloon in a village,
which doesn't have the basic requirements like a revolving chair and a
good mirror. He has a wife Sri Devi (Meena) and three children including
two girls. Sri Devi was very accommodative and has an understanding.
However, Balu is unable to make both ends meet with his daily earnings.
He is not in a position to pay his child's school fee. He used to say
that Super Star Ashokkumar (Rajanikanth) was his childhood friend.
Incidentally, Ashokkumar comes to their village for a
20-day outdoor shooting. Balu's children start pestering him to take
them to Ashokkumar, but Balu is quite hesitative as he is not sure
whether Ashokkumar could identify him. If Ashokkumar did not recognise
him, Balu might be necked out and that would be not only an insult to
his friendship, but also Balu would lose the prestige before his family.
At this juncture, the school principal (Gita) comes to Balu and pleads
with him to invite Ashokkumar as chief guest for the silver jubilee
function of the school, which Balu could not.
Somehow, the college management gets the appointment
of Ashokkumar and invite him to the school function. Ashokkumar accepts
their invitation and reels out his experiences in childhood and talks
great about his friend Balu. Did Balu meet Ashokkumar even after
realising that he did not forget him? What Ashokkumar did when he learns
about Balu? Is that lecture at the school function is like filmy
dialogues or did he really remember his friend? Answers to all these
questions form part of climax.
Performance:
Jagapatibabu gave a brilliant and excellent
performance all through the film. Especially, doing such a character,
especially the role of a barber, is great for a hero with some stature.
Moreover, the character was completely deglamorous and had a very low
profile. But Jagapatibabu really lived in the character. His histrionics
and body language were perfect to the core and director was able to
extract all the acting talents from Jagapatibabu.
Meena,
who played opposite Jagapatibabu, also did complete justice to the
role. She appeared on the screen after a long gap, but was good to watch
as the mother of three children. She lost her weight considerable and
appeared glamorous.
Rajanikanth played the real life role in the film. He
maintained his usual style and appeared glamorous in the film. He has
not much scope to perform in many of the scenes in the first half and
most part of the second half as well.
However, it was he who mesmerised the audiences with
his performance in the climax. Veteran playback singer SP
Balasubrahmanyam lent his voice to Rajanikanth. His dialogue modulation
perfectly suited the style of Rajanikanth, especially while delivering
the lecture in a school function, where he narrates the value of
friendship.
Nayanatara also played the real life role in the movie.
Comedy by Dharmavarapu Subrahmanyam, Sunil, Ali, MS
Narayana and others are okay and was able to tickle the funny bone of
the audiences, especially when the movement of the film is giving
boredom.
Technical:
Padma Shri Thota Tarani, who was responsible for
excellent sets for Rajanikant's latest film Sivaji, once again came up
fantastic sets for this film too.
Camera work by Arun Krishna is okay. The most notable
technician for the film after the director is the dialogue writer.
Marudhuri Raja penned dialogues for the film, which are very good and
casual. Dialogues in the climax were quite heart-touching.
Editing
is perfect in the film, as the audiences can't find even a single scene
which is irrelevant and boring. Above all, it is P Vasu who needs
compliments for coming out with another good film. After a blockbuster
like 'Chandramukhi', he came out with another notable film. As was
rightly said by Rajanikant during the preview of the film, such movies
would come very rarely. The director was able to maintain the friendship
thread in a peculiar way. Though the story appears dragging till the
climax, the audiences never feel boredom with occasional and timely
comedy track.
Music by GV Prakash Kumar, the nephew of AR Rahman is
melodious and the audio was a big hit even before the release of the
film. Especially the song penned on the making of a film was worth
listening, with good literary values.
Remark:
Though the hero of the film is Jagapatibabu in
reality, the producer and director chose to highlight Rajanikanth,
keeping in view the saleability of the film. Though Rajanikant appeared
on the screen for less than 45 to 60 minutes, the film made a business
of more than Rs 60 crore, just because of the image of Rajanikanth. The
film proved a tear-jerker in the climax. The audiences who pay a price
of Rs 50 for the ticket would feel satisfied with the last 20 minutes'
of the movie.
Cast: Jagapatibabu, Rajanikanth,
Nayanatara, Meena and Mamata Mohandas, Vijaykumar, Sunil, Dharmavarapu
Subrahmanyam, MS Narayana, Narsing Yadav, Duvvasi Mohan, Kondavalasa
Lakshmana Rao, Rallapalli, Gauthamraju, Gundu Hanumanta Rao, Tanikella
Bharani, Geeta and others.
CREDITS: Dialogues - Marudhuri Raja, Music - GV Prakash Kumar, Lyrics - Veturi, Ramajogaiah Sastry and Ananta Sriram, Choreography - Lawrence, Brinda, Ashok Raj, Art - Thota Tarani, Presents - Seven Arts, Camera - Arun Krishna, Producers - C Aswinidutt and GP Vijaykumar, Screenplay, direction - P Vasu
Banner: Vyjayanti Movies
Released on: August 1, 2008
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